![]() ![]() ![]() Ann Arbor, Mich.: University Microfilms International.ĭissertation Abstracts International 61-05A. Source: Dissertation Abstracts International, Volume: 61-05, Section: A, page: 1658. Moreover, by literally opening his paintings with a gesture that marked the author's absence, Fontana focused on the profoundly visceral relationship between his work and the viewer's physical body. Lucio Fontana Paolo Scheggi Enrico Castellani Alberto Burri Cesare Lucchini Carlo. However, by puncturing the canvas and through the application of kitsch colors, he continued to demonstrate the need to demolish and go beyond the art object. Discover the group exhibition Utopia at Tornabuoni Art Paris. In 1969, he was expelled from the PCI along with the group of dissidents who had founded. Faced with the difficulties of realizing art's integration with space, in his later career Fontana returned to the autonomous art work by taking up easel painting. Lucio Magri joined the Italian Communist Party in the mid 1950s. While returning to the project of a synthesis of the arts in such installations, in his choice of materials such as fluorescent paint and neon light, Fontana also demonstrated the medium's closeness to the commodity spectacle ushered in by the post-WWII economic boom. Through an innovative use of modern lighting technology these 'environments' engaged with both the architectural and phenomenological dimensions of space. After the war, Fontana produced several large-scale installation works. By prostrating his sculptures on the ground, and employing light-reflective glazes, Fontana emphasized the material basis of his work while continuing to stress its relationship to the physical surroundings. However, a similar repudiation of the autonomous art object lay behind the employment the question of the art work's connection to its environment through polychrome decorative ceramics. ![]() Engaged in modernist debates sculptures that were visually integrated with the architectural wall. In the early 1930s Fontana attacked the idealism of traditional figurative sculpture through an irreverent use of color. The protean nature of art, is interpreted as a critical response to the fraught condition of 20 th century artistic avant-gardes. Autor: Lucio Urtubia Jimenez Publicación: 2014 Formato: PDF, ePUB y Audio Páginas: 288 Editorial: TXALAPARTA Sinopsis ePUB PDF Audio Resumen del libro MI UTOPÍA VIVIDA A los utópicos se nos suele culpar de ser inocentes, ingenuos, crédulos. This study examines the intersection between modernism and mass culture in the art work of Lucio Fontana (1899-1968). ![]() Our readers have come to expect excellence from our products, and they can count on us to maintain a commitment to producing rigorous and innovative information products in whatever forms the future of publishing may bring.Lucio Fontana: Between utopia and kitsch (Italy) Book Bib ID Through our commitment to new products-whether digital journals or entirely new forms of communication-we have continued to look for the most efficient and effective means to serve our readership. Since the late 1960s, we have experimented with generation after generation of electronic publishing tools. The Press's enthusiasm for innovation is reflected in our continuing exploration of this frontier. Considerado como el ltimo de los 'bandidos buenos', ha sido de. We were among the first university presses to offer titles electronically and we continue to adopt technologies that allow us to better support the scholarly mission and disseminate our content widely. Lucio Urtubia Jimnez (Navarra, 18 de febrero de 1931) es un albail y militante anarquista. Among the largest university presses in the world, The MIT Press publishes over 200 new books each year along with 30 journals in the arts and humanities, economics, international affairs, history, political science, science and technology along with other disciplines. El histórico anarquista navarro Lucio Urtubia ha fallecido a los 89 años en París, ciudad a la que tuvo que exiliarse en 1954, han informado a Efe desde Cascante, su localidad natal. ![]()
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